After War, a Failure of the Imagination - NYT Sunday Review
Tuesday February 18, 2014

After War, a Failure of the Imagination - NYT Sunday Review

“I COULD never imagine what you’ve been through,” she said.

 

As a former Marine who served in Iraq, I’d heard the sentiment before — it’s the civilian counterpart to the veteran’s “You wouldn’t know, you weren’t there.” But this time it struck an especially discordant note. This woman was a friend. She’d read something I’d written about Iraq — about the shocked numbness I’d felt looking at the victims of a suicide bombing — and it had resonated. As a survivor of child abuse, she knew feelings of shocked numbness far better than I did. And yet, midway through recounting some of what happened to her as a young girl, she said it again: “I’m sorry. I don’t mean to compare my experience to yours. I could never imagine what you’ve been through.”

 

It felt inappropriate to respond, “Sure you could.” I’d had a mild deployment. She’d mainly have to imagine long hours at a cheap plywood desk in a cheap plywood hut in the middle of a desert. True, there were a handful of alarming but anti-climactic mortar attacks on my forward operating base, and the wounded and damaged bodies I saw at the trauma center, but that was all. Her childhood, though, was full of experiences I couldn’t have handled as an adult, let alone as a child. And what was particularly bewildering was that, even as my friend was insisting that what I’d been through was beyond the limits of imagination, she never once told me, “You aren’t a victim of child abuse. You couldn’t understand.” She wanted me to understand. At the very least, she wanted me to try.

I know an airman who suffered a traumatic brain injury during training just a few years after being in a car accident where he watched his twin brother die. When he tells people about the T.B.I. and the accident and his service, he invariably gets the “I could never imagine” line. “It makes me angry,” he told me. Sure, he wants to say, you don’t think you could understand, but what if I want you to?

It’s a difficult spot to be in, for both. The civilian wants to respect what the veteran has gone through. The veteran wants to protect memories that are painful and sacred to him from outside judgment. But the result is the same: the veteran in a corner by himself, able to proclaim about war but not discuss it, and the civilian shut out from a conversation about one of the most morally fraught activities our nation engages in — war.

 

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Authors

Redeployment

By

Winner of the 2014 National Book Award for Fiction · Winner of the John Leonard First Book Prize · Selected as one of the best books of the year by The New York Times Book ReviewTimeNewsweekThe Washington Post Book World, Amazon, and more · National Book Foundation 5 Under 35 Honoree · New York Times Bestseller

Phil Klay's Redeployment takes readers to the frontlines of the wars in Iraq and Afghanistan, asking us to understand what happened there, and what happened to the soldiers who returned. Interwoven with themes of brutality and faith, guilt and fear, helplessness and survival, the characters in these stories struggle to make meaning out of chaos.

In "Redeployment", a soldier who has had to shoot dogs because they were eating human corpses must learn what it is like to return to domestic life in suburbia, surrounded by people "who have no idea where Fallujah is, where three members of your platoon died." In "After Action Report", a Lance Corporal seeks expiation for a killing he didn't commit, in order that his best friend will be unburdened. A Morturary Affairs Marine tells about his experiences collecting remains—of U.S. and Iraqi soldiers both. A chaplain sees his understanding of Christianity, and his ability to provide solace through religion, tested by the actions of a ferocious Colonel. And in the darkly comic "Money as a Weapons System", a young Foreign Service Officer is given the absurd task of helping Iraqis improve their lives by teaching them to play baseball. These stories reveal the intricate combination of monotony, bureaucracy, comradeship and violence that make up a soldier's daily life at war, and the isolation, remorse, and despair that can accompany a soldier's homecoming.

Redeployment is poised to become a classic in the tradition of war writing. Across nations and continents, Klay sets in devastating relief the two worlds a soldier inhabits: one of extremes and one of loss. Written with a hard-eyed realism and stunning emotional depth, this work marks Phil Klay as one of the most talented new voices of his generation.

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