Janis L McKay

Janis L McKay

Dr. Janis McKay is associate professor of bassoon and principal bassoon of the Las Vegas Philharmonic Orchestra. She also performs as principal bassoon for the Classical Music Festival in Austria and as Contrabassoon for the Reno Philharmonic.

McKay has held positions and performed with numerous orchestras including the Pro Musica Chamber Orchestra, the Chautauqua Symphony Orchestra, the Columbus Symphony Orchestra, the Reno Chamber Orchestra, the Canton Symphony Orchestra, the Moscow Radio Symphony Orchestra, the Charleston (WV) Orchestra, the Springfield (OH) Symphony Orchestra, the Wheeling Symphony Orchestra, and the Louisville Orchestra among many others. A busy free-lance musician in Las Vegas, McKay has performed and/or toured with such artists as Placido Domingo, Luciano Pavarotti, Andrea Bocelli, Charlotte Church, John Williams, Celine Dion, Gloria Estefan, Don Henley, Stevie Nicks, Metallica, Stevie Wonder, and Tony Bennett.

She has twice been a featured soloist with the International Music Festival in the Ukraine, twice with the Classical Music Festival touring Austria and Hungary, and once with the Las Vegas Philharmonic. She may be heard on Summit, d'Note, Starkland Records, and First Edition recordings. McKay has given masterclasses and recitals at numerous locations including the Shanghai Conservatory, the Eastman School of Music, Ithaca College, the Ohio State University, the University of North Texas, Florida State University, the University of Georgia, Butler University, Miami University, Arizona State University, and the Musikschule Eisenstadt among many others.

McKay received her DMA from The Ohio State University, the Master of Music degree from the University of Louisville, and a Bachelor of Music degree from the University of Georgia. Her major teachers were Christopher Weait, Matthew Karr, and William Davis. McKay previously taught at Baylor University, Capital University, the Ohio Wesleyan University, and Wright State University. She was also a faculty member of the Blue Lake Fine Arts Camp.


Played Out on the Strip

The Rise and Fall of Las Vegas Casino Bands

By

From 1940 to 1989, nearly every hotel on the Las Vegas Strip employed a full-time band or orchestra. After the late 1980s, when control of the casinos changed hands from independent owners to corporations, almost all of these musicians found themselves unemployed. Played Out on the Strip traces this major shift in the music industry through extensive interviews with former musicians. In 1989, these soon-to-be unemployed musicians went on strike. Janis McKay charts the factors behind this strike, which was precipitated by several corporate hotel owners moving to replace live musicians with synthesizers and taped music, a strategic decision made in order to save money. The results of this transitional period in Las Vegas history were both long-lasting and far-reaching for the entertainment industry. With its numerous oral history interviews and personal perspectives from the era, this book will appeal to readers interested in Las Vegas history, music history, and labor issues.

Reviews

“The book is unique and it tells a story that is vital to the history of Las Vegas and entertainment.” -- Michael S. Green, author of Nevada: A History of the Silver State

“Casino orchestras are a big piece of the Las Vegas story that has stayed hidden in the shadows of the stars—just as the band always did—until now. Lucky for us all, Played Out on the Strip brings into the spotlight the supporting players who gave a young city a rich new dimension and deep well of talent. Janis McKay has done them, and us, a real favor.” -- Mike Weatherford, Las Vegas Review-Journal entertainment reporter and columnist

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